Thomas Schubert

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The love story of Gerda Taro and Robert Capa.

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The Blood Countess and her maid embark on a quest for the red elixir of life and a book that threatens the vampire realm. Hot on their heels are a police inspector, two vampirologists, a vegetarian nephew and his therapist.

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As a contestant in a singing casting show, Lea is asked by the TV team who she is and what makes her special. She doesn't know and begins to slip into different roles in her search for what makes her special, developing an unexpected fascination for her aunt Kati. Kati's return home as head architect for the renovation of the Residenzschloss after many years abroad reunites the family in one place. This reunion raises the hopes of grandparents Friedrich and Christel that they can join forces to give their pension, which has few visitors, a new lease of life.

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Why am I standing in the slow line? Why am I being fired? Why is she falling in love with him and not me? Why me? That's the question we all ask ourselves so often. In thousands of situations. In six episodes, David Schalko, with his trademark dark humor, tells of life situations in which this question is central: WHY ME?

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A new home, a promotion, a loving partner. Anna has everything she could wish for, and yet, the gradual inevitability of things begins to create a pressure within her that she can no longer bear. But where does Anna escape to when her life seems pretty much complete? Into housing complexes that swallow their residents like a beehive? Into labyrinthine furniture stores filled with endless room displays? Or into the life of a missing woman who looks just like her and works at an IKEA store?

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A body is found in a canal on the Danish border. The woman was murdered in the same way as three before her. Special investigator Gloria Acheampong is sent to the province to take on the case.

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Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.

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Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband runs out in front of her car. In a state of shock, Andrea commits a hit-and-run.

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When Andreas arrives in the remote valley in the Austrian Alps, he is only about four years old - nobody knows for sure. He grows up to become a skilled farmhand and, as a young man, joins a work crew that builds one of the first mountain railroads, bringing light and noise to the valley along with electricity. He also finds the love of his life in Marie, but their happiness is short-lived. Only many years later, when Andreas embarks on his final journey, she is with him once again. And in amazement Andreas looks back at all the years that lie behind him.

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Today is the founding of the Reich! Preparations for the new Germany are underway, the table is set, and the mood is quite good. It's a significant day for the revolutionaries, who are performing the official establishment of the Reich in an old castle. A small group of sovereignists plans to finally overthrow the German government through violence. Under the codename "Hans," the leader (Bibiana Beglau) pushes her co-conspirators through the final preparations. They still need more new Reich citizens for the implementation, and what should be done with the countless prisoners that will exist after the revolution? In theory, everything sounded much easier, but just before the major coup, the modest question arises: Among those involved, who can actually kill?

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Self-important author Leon joins his best friend on a summer holiday near the Baltic Sea to complete his novel. When they arrive, they find their house is already occupied by a carefree woman who challenges Leon to open up. Meanwhile, forest wildfires rage around them and impending disaster looms.

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In his exhilarating tragicomedy, David Lapuch blends apparently disparate elements: mundane matters with meaningful ones, existentialism with comedy—and a rather unappetizing muffin with beer. Richard, a young man who leads a fairly ordinary village life, takes care of his grandfather and a sausage stand at the sports field. Within just one evening, his life becomes unhinged, and he finds out that within every ending is a beginning.

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A man is murdered on a remote riverbank, and a young woman confesses to the murder to the police that same night. Forensic psychologist Karla Eckhardt identifies the confessed perpetrator as Anna Lobrecht, whom she had classified as a compulsive liar in a report two years ago. It's possible that Lobrecht isn't telling the whole truth this time either.

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Desperate for startup stardom, an overly ambitious finance mastermind lies, cheats and schemes his less-than-authentic company up the ladder to success.

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Julius, an eloquent young museum attendant loved by the people around him, invites his colleagues on a sailing trip on his aristocratic family's boat, but something goes wrong. Julius is not who he seems to be.

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A woman ends up stranded at a gas station one night, where the manager and his friends are having a beer. It seems she didn't show up by chance, and a crazy night unfolds.

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An overwhelmed young mother, her hard-working boyfriend and her lonely sister are trapped in their daily routine and social conventions, until one of them breaks out of her role and turns everything upside down.

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A routine check-up reveals that the Pilates trainer Kathrin is suffering from kidney disease and needs a transplant. Her husband Arnold is a successful architect in the middle of a large project and is afraid of donating one of his kidneys. Götz, a friend of the couple's, would undergo the operation immediately if it means saving Kathrin's life - even though this causes problems with his partner Diana. Confronted by issues of life and death, the fragility of the relationships within and between the couples is laid bare. Eventually, the question can no longer be avoided: what is true love?

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The washing machine bites the dust: turning the humdrum life of a young couple upside down.

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A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.

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Three friends from Floridsdorf – separated by 40 years and with lives that couldn't be more different – ​​meet on an evening that will change their future destinies forever.

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Encouraged by her father who hopes to save her from a life in the provinces, Jette is about to spend a year volunteering overseas. But love stands in the way of her father's plans, and she no longer knows what she wants.

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For doctor Malu, her new partner Hannes is simply perfect. But appearances are deceptive. As Malu gets involved in the relationship, she notices more and more strange things about Hannes. He turns up at her practice without being asked and interferes in Malu's professional affairs. He also intrudes more and more and then disappears again without a word. Malu finally breaks up with Hannes. But it's not over for him yet. Only now does Malu realize that he wants to have control over her life. Neither her private life nor her professional life are safe from him. Hannes gains access to her house, tampers with her computer and photographs her in her sleep. To make matters worse, Hannes even places an obituary for Malu. The police are powerless against the stalker as he leaves no trace. So Malu decides to stop him herself...

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Becky, Tommi and Maik form a right-wing terror cell that lives in the underground and is dreaming of country-wide attention. Entangled in a complex relationship of love, hate and friendship, they follow a path of destruction that leads to a series of violent crime. Their alleged values such as honor, pride and loyalty decline due to their increasing disorientation.

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In 1849, the liberation war against the Habsburg Empire is close to its end in Hungary. Having hidden from military draft, Barnabás leaves his hometown and walks across the country to find and save his wounded brother who has been hiding with a guerilla group deep in the forest. Despite their exhaustion, lack of food or information, they are still fighting for their cause. Barnabás finds his brother alienated and distrustful. The tension between the boys further increases when they turn out to be attracted to the same nurse in the camp. Hoping he can earn his brother's trust and take him home, Barnabás decides to stay and lie about his past. In the meantime, he has to face the cruelty of war.

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Michel, 18, prefers partying and riding his motorcycle to thinking about his future. The complete opposite of his father, who enjoys hunting, peace and quiet, and has already planned everything for his future, especially his son's. As they head out for yet another hunting trip, these differences of opinion become impossible to live with.

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Kings should be treated courteously! At least, that's what famous music critic Georg thinks. But he finds himself counting pennies when his chief editor suddenly fires him from the Viennese newspaper for which he has been writing for decades. While keeping his dismissal a secret from his psychotherapist wife Johanna, whose mind is occupied solely by getting pregnant, Georg begins to plot his revenge.

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A soap-operatic mini-series about the history of Hotel Sacher in Vienna. It starts with the takeover by Anna Sacher after her husband Eduard dies at age 59. Most of the time, someone high or low in society seems to be kissing (or more) in one of the chambres séparées.

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Vienna, Austria, 1910. The young painter Egon Schiele is a rising artist, provocative and free, whose work, characterized by eroticism, shocks as much as it fascinates art lovers.

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A Yenish boy is placed in a mental hospital and experiences the Nazi euthanasia program. Aware of what was happening and attached to friends, the lad attempts to sabotage the program. The film addresses the complexities of the program director, the lives of the child victims, and the struggles of the child protagonist. More than five thousand children died in the Nazi euthanasia program.

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A policeman gets into a spiral of events, in which assault, extortion and murder are proven means.

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Mae quit school and ran away from home. After her brother’s death her family is broken. Only his red shoes (Chucks) remain. Mae has to start working in a social institution where she meets Paul. He is funny, sensitive, takes Mae as she is - and he is terminally ill. In a book named Chucks Mae writes down her own story about growing up between life and death: wild, tender and absolutely honest.

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Sylvia (34) has every reason to be proud. On her son and on herself. After all, she raised Ben all by himself, and today the 18-year-old is an all-round successful boy. Ben knows about his conception only as much as that he is a child of pure love. He never knew his father, so he does not miss him either. Sylvia is his mother and closest confidant at the same time. But this trust threatens to break as Sylvia is caught up in her past and Ben has to learn that he is actually the product of a rape. Everything seems to be in question in one fell swoop.

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