Meg Mundy

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

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Claire Gregory, an upper class New York personality, witnesses a murder in a luxurious nightclub. Detective Mike Keegan, recently promoted, is assigned to protect her.

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A married man's one-night stand comes back to haunt him when that lover begins to stalk him and his family.

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A man from a family of rich snobs becomes engaged to a woman from a good-natured but decidedly eccentric family.

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Having both lost their jobs, two strangers become unlikely friends after a run in with a would be robber, who is actually a hitman with a grudge against the two.

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Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.

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A young woman's summer in New York includes working for a Mademoiselle-like magazine, her return home to New England, and subsequent breakdown all amidst the horrors of the 1950s, from news of the Rosenbergs' execution to sleazy disc jockeys and predatory college boys.

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Oliver Barrett IV is emotionally devastated by the death of his wife Jenny, and, while he tries to lose himself in his work as a lawyer, the long hours don't ease his pain, especially when he finds that his leftist views conflict with those of the senior partners at the firm. Eventually, Oliver's inconsolable grief begins to alienate those around him, until he finds new love with Marcie Bonwit, the wealthy and beautiful heiress to the Bonwit Teller fortune. Despite his affection for her, Oliver finds it difficult to leave the memory of Jenny behind, which causes major problems in their relationship.

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A famous fashion photographer develops a disturbing ability to see through the eyes of a serial killer.

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JoAnn Hammil faces a harrowing fight to rediscover her personal identity when her husband of 15 years announces that he is leaving her and their children to search for the indefinable joy he feels he is missing from his life.

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Special for Women (also known as Purex Specials for Women) is a drama/documentary anthology series broadcast on NBC from 1960 to 1965. It dramatized problems faced by everyday women, including menopause, sexual dysfunction and the feminine beauty ideal, followed by a discussion of that episode's topic with a panel of experts.

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Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

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A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

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Tales of Tomorrow is an American anthology science fiction series that was performed and broadcast live on ABC from 1951 to 1953. The series covered such stories as Frankenstein, starring Lon Chaney, Jr., 20,000 Leagues Under the Sea starring Thomas Mitchell as Captain Nemo, and many others featuring such performers as Boris Karloff, Brian Keith, Lee J. Cobb, Rod Steiger, Bruce Cabot, Franchot Tone, Gene Lockhart, Walter Abel, Leslie Nielsen, and Paul Newman. The series had many similarities to the later Twilight Zone which also covered one of the same stories, "What You Need". In total it ran for eighty-five 30-minute episodes.

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Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

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An anthology series adapted from the radio program of the same name. Like the radio program, many scripts were adaptations of literary classics by well-known authors. Classic authors such as Edgar Allan Poe, Agatha Christie, and Charles Dickens all had stories adapted for the series, while contemporary authors such as Roald Dahl and Gore Vidal also contributed.

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An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

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