Federico García Lorca

The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful Miranda, she suggests that they both move in together and find jobs. Oliviero, however, leaves Miranda in search of his first love Ana who he met ten years prior. Once in Barcelona, he realizes that Ana's life has drastically changed and their love is in the past. Soon, he meets poet and circus performer, Alejandra. Oliviero becomes smitten and desperately tries bond with her, but she makes things a little more difficult that he ever imagined.

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Yerma is desperate to have children, so when a psychic advises her to look outside her marriage to conceive, what can she say but yes?

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The exhibition, which coincides with the birth centenary of the poet Federico García Lorca, proposes a realistic recreation in images by Frederic Amat of the poet's screenplay Trip to the Moon. The aim, according to Amat, is to unravel the mysteries of the screenplay, an effort to distill its essence, silhouetting his poetic suggestion and let the script itself manifests in the different film procedures that invites the Lorquian conception.

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A domineering,reclusive, and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.

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Focuses on the dancer, choreographer, and composer Ernest Berk (1909-1993), who at the time the film was made was 81 years old. Using choreography and dance, but also forms of linguistic expression, the aging body and its sexuality is explored, especially the apparent discrepancy between a youthful spirit and bodily decay.

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After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.

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Inspired by García Lorca's stage poem, this is the story of a young woman who cannot realize her desire for self-realization either in the confines of her Andalusian village or in her relationship with her traditional husband.

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A domineering and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to a young man, for the financial advantages it will bring the mother, Bernarda

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In a small village in southern Morocco, Amrouch cannot, because of his social position, marry the daughter of a wealthy farmer from the nearby village. Based on Federico Garica Lorca’s novel.

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A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.

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Bernarda, a domineering, reclusive, and ostentatiously pious widow in a small Spanish town, keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man.

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A young shoemaker marries an older man, but he, jealous, leaves home. The woman opens a tavern and her husband returns in disguise to test her fidelity. Television adaptation of the play by Spanish poet and playwright Federico Garcia Lorca, translated by Carlos Wallenstein and directed by Varela Silva, with Amália Rodrigues in the lead role.

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Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

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an adaptation of a play by Federico Garcia Lorca. After her husband's death, Bernarda Alba imposes eight years mourning period upon her household as the tradition runs in her family. In a household of 5 girls their mother and their grandma the tension and the deprivation arise as the mourning period isolate them from the rest of the village and deprive them of any male contact.

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