Carlos Alberto Riccelli

Brasília. Vital is a Brazilian federal police deputy who leads a special investigation group that aims to capture the international drug trafficker Beque Batista. Three other officers make up the group: Dani, Rock and Lua. In parallel, Vital need to take care of Leila, his pregnant wife, and does everything so she does not participate in the violent world in which he lives.

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A star medical examiner is called to Brasília, the administrative capital of Brazil, to confirm the identity of a beautiful, young congressional aide's dead body. But his scientific rigor soon leads him to details of a multi-layered political scandal.

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Young executive woman returns to small town of Dois Córregos and remembers the time, in the late 1960s, when she met her uncle there, a man who was running away from the military dictatorship ruling Brazil at the time.

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It tells the story of Chiquinha Gonzaga, a revolutionary musician who marked the history of music in Brazil, and challenged the social standards of her time. Chiquinha was raised very comfortably and had an excellent education provided by his father, Jose Basileu, who expected his daughter to be a lady of the imperial court. But after listening to songs played in a black yard and influenced by friends, such as composer Joaquim Callado, Chiquinha begins to make compositions mixing polka and lundu. By imposition of her father, Chiquinha is forced to marry Jacinto, with whom she has three children. However, Jacinto forbids her to play, and she decides to separate from her husband, going against social standards. Chiquinha, then, fights for his freedom to play and will live with the great love of his youth, João Batista de Carvalho Jr., with whom he has a daughter, Alice.

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In Greenville, some families never lose their composure. This is the case with the Mendonça and Albuquerque families, who would never allow a "noble" member of their family to become involved with a sugarcane cutter.

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"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

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Deception. Torture. Murder. Brazilian actor Carlos Riccelli stars in this suspenseful tale of revenge. After his wife is tortured and killed in El Salvador, Carlos vows to inflict revenge on the man responsible for her murder. Upon arriving in Los Angeles, Carlos thinks he has found that man: an American CIA advisor (Robert Pine of "CHiPs"). Soon, Carlos puts his perverse plan in motion. He breaks into the agent's home and just as he is about to exact his revenge, begins to question whether he, in fact, has the right man. As Carlos unravels the answer to this question, a surprise twist surfaces that will allow Carlos to exact the ultimate best revenge.

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In a fishing village, Vó Manuela, endowed with mystical powers, closes the body of her grandson, Nô, for love. But Eduarda's arrival completely changes the boy's destiny.

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Fátima Accioly is a young, callous woman who wants to be rich and successful at any price. After selling her family's house in the country, she heads to Rio and gets to know dress man César who is unscrupulous himself. Meanwhile, her mother Raquel stays behind without home and money, but finally tries to find her daughter in the big city. Both women come in contact with the rich Roitman family which changes their lives forever.

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After arguing with his ex-girlfriend, truck driver Jorge hits the road again, while remembering the past and questioning his friendship with his manipulative boss.

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The life of Brazilian actress Leila Diniz.

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According to an amazonian legend, every month, during the full moon, a brazilian fishing village receives a mysterious guest: the Dolphin, who transforms into a human to seduce and be loved by women and hated by men. One of her conquests is the daughter of a fisherman, who has a son with the Dolphin. He constantly reappears to seduce her, and even when she marries, he continues to look for her. This provokes the ire of the husband, who wants to kill him anyway.

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The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.

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Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

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Count Dracula, taking on the new identity of Vladimir, leaves Transylvania and goes to Brazil in search of his son Rafael. This vampire romance was conceived to be a potential telenovela, but only ended up running as a TV miniseries with four installments because the network that financed it went under.

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In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.

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Manoela is employed in the home of Donato, an employee at a cosmetics factory, and Carolina. After her boss's death, Carolina finds herself unprepared to deal with the serious financial difficulties and fires Manoela, who agrees to work for free, becoming a kind of guardian angel, advisor, and administrator of the house. To pay the mortgage on the property, she suggests that Carolina rent out two of the vacant rooms. The new tenants are four students who have recently arrived in Rio to take the university entrance exam. During their studies, the young men meet Marcelo, nicknamed Belo, who falls in love with Manoela. The relationship gives her the opportunity, for the first time, to forget about other people's problems and live her own life.

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