Rita Assemany

1988: A Brazilian flight attendant named Fernando jets between Rio and New York, loves many men, and lives life to the fullest. He ignores the fact that lots of people around him are contracting a mysterious illness. When he himself is diagnosed with HIV, he resolves to fight it. Taking a risk, he smuggles a drug out of the US and into Brazil, where it is illegal.

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After his father puts up a wall between them due to non-acceptance of his sexuality, Ornir becomes the victim of a hate crime and his last breath of life is trapped in a birthday balloon.

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While waiting for a kidney transplant, a young pianist finds an unexpected connection with her doctor — and the courage to fulfill her musical dreams.

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In the 1930s, two sisters separated by destiny face prejudice and sexism: one from the big city's high society, the other from a group of renegades in the back country. Emilia is romantic and marries a rich young man who is full of secrets. Luiza, of a wilder nature, falls in love with an outlaw who provokes mixed feelings in her. In this feminine and intimate epic, the sisters know they only have each other and both will surprisingly leave their marks in the world.

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In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

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In the thirties, two sisters separated by fate face prejudice and sexism, one by the high society in a big city and the other by a group of renegades in the countryside. Despite the distance, they know that they can only count on each other and both of them will assert themselves in their own and surprising way.

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In this realistic and touching series told in an innovative format, seemingly independent plots intertwine to show how justice can sometimes be a personal matter.

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When returning to his hometown with his ill mother, Marlombrando meets again his father and the Drive-in cinema where he spent his childhood. Almeida keeps the cinema functioning with the assistance of only two employees: Paula, who takes care of the projection and the snack bar; Jose, an old friend of Almeida, who helps selling tickets at the cashier and cleaning up the place. The arrival of Marlombrando and the demolition threatening of the Drive-in will bring new directions to their lives.

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In Pau Brasil, a small, lost village in the heart of Brazil, the families of Joaquim and Nives live side by side. Despite living in the same perverse structure of social oppression, they deal with life in radically different ways.

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The memories of Guiga, from early childhood to young adulthood: his family, relatives, friends, fears, dreams and reality in a still provincial city of Salvador, Bahia, from the 50s to the 70s.

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Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the twenty years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny travelling circus passes through the vast badlands where Tonho's family lives.

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An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

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