Jaime Rosales

This correspondence between Spanish auteur Jaime Rosales and critical chronicler of contemporary China Wang Bing is divided into three short films each consisting of documentary observations.

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In the hard scrabble of life in Havana, Gabriel attempts to build his perfect musical scale.

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A young high school student marked by the recent death of her mother, Gwen, spends her time with her group of friends, including her lover Thomas, an apprentice baker. When Jean-Luc, a Parisian student who looks like an artist, moves into the area, Gwen does not hide her trouble, as if a decisive life choice was before her. One day, she discovers a film at the cinema that seems inexplicably inspired by her own life. Will she find the answers she is looking for?

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Julia, a 22-year-old mother of two, falls in love with Óscar, a troubled boy with whom she embarks on a love affair. The more time they spend together, the more Julia asks herself if Óscar is the person she really needs by her side, prompting her to set out on a personal journey to find happiness for herself and for her family.

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Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.

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Natalia and Carlos, both aged 20, are in love and struggling to survive in today’s Spain. Their limited resources prevent them from getting ahead as they’d like to. They have no great ambitions because they have no great hopes. To earn some money, they decide to shoot an amateur porno film. The birth of their daughter Julia is the main catalyst for the changes they make.

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Oriol and Yolanda live in Paris with their two daughters. During a holiday they have a car accident. Celia, their older daughter, dies and Oriol goes into a coma.

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Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever.

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Adela and her baby move to Madrid in search of a new start after a tough separation. Antonia is a shop owner with three adult daughters. The film is divided into five chapters revolving around their health, work, relationships and money.

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Abel lives with his mother in a small town on the outskirts of Barcelona. His life, grey and boring, is based on the small family business, his mother's house, his girlfriend's bed, and the town bars. However under an appearance of quiet and gentle man, Abel hides a dark and morbid personality.

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This film is the result of a passion shared between Béatrice Soulé and Eric Serra, music composer of The Big Blue, for the exceptional talent of Doudou N'Diaye Rose, percussionist and rhythm teacher at the National Art Institute of Dakar. It was crucial for them to keep a track of the rhythm of the major drum leader of Senegal and they organized in the Island of Gnor a concert that this film restores us. Under the small amphitheater made of stone, the great virtuoso give us to see and listen to a great moment of joy because Doudou N'Diaye Rose dances as much as he drums. And for the fifty percussionists and one hundred members of the Julien Jouge's church choir, this is also the celebration of the bodies.

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