Fernando Lopes

A personal tribute to the poet Alexandre O'Neill by his dear friend Fernando Lopes.

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A wealthy landowner, "The Dauphin," enjoys a decadent life of hunting, drinking, and womanizing. He oversees his estate, the Laguna, with his barren wife, his one-armed manservant, and his treasured guard dog. When a sportsman (the film’s narrator) comes to the estate for his annual duck-hunting excursion, he discovers the body of the landowner’s wife floating in the lagoon and the manservant dead on his master’s bed. The Dauphin and his dog are nowhere to be found except for the mysterious barking sounds heard over the lagoon.

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Life of photographer Gérard Castello-Lopes, disciple of Cartier-Bresson.

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"French television came up with the idea of Se Deus Quiser (but they didn't carry it through), which consisted in inviting six European directors to describe their homeland in a film. When my friend Jacques Dercourt contacted me - he had seen Nós Por Cá Todos Bem at Cannes - I told him I like the idea a lot and I proposed a to Várzea and to my mother, that is, a confrontation between images and sound, memory and sentiment" (Fernando Lopes).

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Spino, a pathologist, receives an unidentified body which looks familiar to him... himself, 30 years younger.

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Abel, 47 years old, two wars - in the colonies and France, emigration - several scars from many battles lost, returns in a jump to Portugal, to his lost village in the northern interior, near the border, from where one day he'd be gone, also from a jump. A letter, from his brother Peter, warned him that everything changed. Even Teresa. Abel catches sight of his childhood in the village hills, the old tribe. From a distance everything seams to be in the same placesa, the old dog is all that remains of the past. In the village the Act of Passion will be performed and Teresa is one of the participants. Abel takes the old gestures and prepares his plan: eliminate one by one Teresa's suitors, to consummate during the act of the Passion, her death ...

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This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

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A film by Fernando Lopes.

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In his childhood haunts, in the village of Várzea dos Amarelos, the filmmaker films peasant life with its seasonal and daily rituals: a festive meal, the slaughter of a pig, bread-making. The film slides into imagination and blends with fiction: memories and dreams, imagination and reality intermingle in this work full of enthusiasm that has an enormous freedom of form and a zest for life and discovery of the world. With a strong documentary element, it mixes professional actors with the inhabitants of a small village, telling the story of a small film crew in a village living day to day.

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Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnation Revolution", as that period would be later known.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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The various work posts within the complex Physics and Engineering laboratory, and some of their work results across the five continents, in tunnels, bridges, dams and hydroelectric plants.

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This Portuguese drama examines the daily life minutiae and intrigues of two scions of society in the rural village where they live. One is a wealthy landowner, the other a widowed aristocrat who lives in a world of her own.

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A short film by Fernando Lopes.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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A portrait of Belarmino Fragoso, a veteran boxer in Lisbon nearing the end of his career. In a blend of reportage and re-enactment, the many vices of the once national featherweight champion are revealed against a background of the grim economics of boxing in 1960s Portugal.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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The production and the economic and social relevance of electric cables, may be watched as abstract art to the tunes of jazz.

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Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

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Documentary short film on the city of Évora, Portugal. Usually regarded as the first film of the Portuguese New Wave.

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A TV movie by Fernando Lopes.

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Documentary about the city of Lisbon, Portugal.

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A making-of of Pina Bausch's ballet piece "Masurca Fogo" (1998), for the EXPO 98, from the first workshop in Lisbon until the avant premiere in Wuppertal, Pina Bausch's city, all moments dated on screen. The ballet master presides behind her work desk to the creation of steps by different dancers, as varied a mix as the African, Latin American, Fado and jazz music to which they swirl, representing the spirit of that world event. Not by chance, the camera shows prominently a photo-book on the gypsies close to Pina's ashtray. The ballet's premiere was in Germany, and the documentary's premiere was at the EXPO 98 in Lisbon.

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Fernando Lopes in the first person: through his words and films, from the village where he was born until Lisbon of present time, we discover the themes and emotions of the work of one of the main authors of portuguese "Cinema Novo".

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Carlos Oliveira's literary universe is re-enacted in a studio using the writer’s personal objects and manuscripts, and with the help of Luis Miguel Cintra and Fernando Lopes. Shot with the purpose to document his work in the same way Carlos de Oliveira documented his hometown in Gândara, the film uses all the creative liberty that new digital technology allows in order to recreate the visual and sound records that were also present in the writer and poet’s own work.

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A 58 minute documentary about the life of João Bénard da Costa.

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He and she don't know each other. They randomly meet at a gas station, while drifting. "Where are we going? Far away. Where is that? Near."

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The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.

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Lisbon, 1989. A middle-aged poor man, tormented by an illness, lives in a cheap room in a family boarding house, in the old section of the city's waterfront.

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Feature episode of a TV show about Portuguese fascism in the 40s.

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A making-of of Pina Bausch's ballet piece "Masurca Fogo" (1998), for the EXPO 98, from the first workshop in Lisbon until the avant premiere in Wuppertal, Pina Bausch's city, all moments dated on screen. The ballet master presides behind her work desk to the creation of steps by different dancers, as varied a mix as the African, Latin American, Fado and jazz music to which they swirl, representing the spirit of that world event. Not by chance, the camera shows prominently a photo-book on the gypsies close to Pina's ashtray. The ballet's premiere was in Germany, and the documentary's premiere was at the EXPO 98 in Lisbon.

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A group of fishermen embark on a new adventure to capture the best pieces on the high seas. They leave from the port of Ondárroa, Vizcaya, to depart towards the Atlantic bottom where they usually fish. After several days of fishing, problems begin to emerge.

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Abel, 47 years old, two wars - in the colonies and France, emigration - several scars from many battles lost, returns in a jump to Portugal, to his lost village in the northern interior, near the border, from where one day he'd be gone, also from a jump. A letter, from his brother Peter, warned him that everything changed. Even Teresa. Abel catches sight of his childhood in the village hills, the old tribe. From a distance everything seams to be in the same placesa, the old dog is all that remains of the past. In the village the Act of Passion will be performed and Teresa is one of the participants. Abel takes the old gestures and prepares his plan: eliminate one by one Teresa's suitors, to consummate during the act of the Passion, her death ...

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This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Open details →

In his childhood haunts, in the village of Várzea dos Amarelos, the filmmaker films peasant life with its seasonal and daily rituals: a festive meal, the slaughter of a pig, bread-making. The film slides into imagination and blends with fiction: memories and dreams, imagination and reality intermingle in this work full of enthusiasm that has an enormous freedom of form and a zest for life and discovery of the world. With a strong documentary element, it mixes professional actors with the inhabitants of a small village, telling the story of a small film crew in a village living day to day.

Open details →

This Portuguese drama examines the daily life minutiae and intrigues of two scions of society in the rural village where they live. One is a wealthy landowner, the other a widowed aristocrat who lives in a world of her own.

Open details →

A portrait of Belarmino Fragoso, a veteran boxer in Lisbon nearing the end of his career. In a blend of reportage and re-enactment, the many vices of the once national featherweight champion are revealed against a background of the grim economics of boxing in 1960s Portugal.

Open details →

A making-of of Pina Bausch's ballet piece "Masurca Fogo" (1998), for the EXPO 98, from the first workshop in Lisbon until the avant premiere in Wuppertal, Pina Bausch's city, all moments dated on screen. The ballet master presides behind her work desk to the creation of steps by different dancers, as varied a mix as the African, Latin American, Fado and jazz music to which they swirl, representing the spirit of that world event. Not by chance, the camera shows prominently a photo-book on the gypsies close to Pina's ashtray. The ballet's premiere was in Germany, and the documentary's premiere was at the EXPO 98 in Lisbon.

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