Terence Davies

A documentary short in which Terence Davies talks about his life and his love for the arts in what turned out to be his final interview.

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From the music of Uruguayan composer Florencia Di Concilio, English filmmaker Terence Davies does a cinematic reading of his own poem about his late sister, delivered over a single serene shot of the countryside near his home in Essex. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

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Comedian Nick Helm narrates this bold new documentary series exploring the dramatic history of British cinema. Discover how cinema held a mirror up to society from 1960 through to the 00s.

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An elegy to time and life, condensing Terence Davies' profoundly humane poetics into little more than one minute, enveloping the viewer in an atmosphere of light and (Davies' own) words.

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Program focuses on the lasting appeal and cinematic brilliance of The Ladykillers. Included in it are clips from interviews with broadcaster and author Stuart Maconie, film editor Catherine Shoard, actor and writer Reece Shearsmith, and author Ronald Harwood, amongst others.

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Poet Emily Dickinson, pigeonholed as the strange recluse since her death, takes you on a journey through the seasons of her life amid 1800s New England.

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A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

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British director Terence Davies reflects on his birthplace of Liverpool - his memories of growing up there and how it has changed in the years since - in the process meditating on the internal struggles and conflicts that have wracked him throughout his life and the history of England during the second half of the 20th century.

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Doris Day has often been dismissed as an actress and overlooked as a singer, despite career highs such as Calamity Jane and Pillow Talk. Covering her early years as a band singer, and her troubled private life, this documentary re-evaluates one of the screen's most enduring legends.

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The story of the big names that have shaped the musical genres, plus an occasional stopgap for the new rock 'n' roll - comedy.

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Anna Karenina was a 1977 BBC television adaptation of Leo Tolstoy's novel & tragic story of the love affair between Vronsky, a Russian Count and Anna Karenina, a married upper class woman. Nicola Pagett takes the role of Anna, a young woman who is married to a man twenty years her senior (Eric Porter), and who begins a passionate affair with the handsome Count Vronsky (Stuart Wilson). When she falls pregnant, Anna decides to dissolve her marriage and wed Vronsky, but true happiness proves elusive.

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Survivors is a British post-apocalyptic fiction television series devised by Terry Nation and produced by Terence Dudley at the BBC from 1975 to 1977. It concerns the plight of a group of people who have survived an accidentally released plague – referred to as "The Death" – that kills nearly the entire human population of the planet.

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The BBC's flagship cinema review TV program featuring reviews of new releases, news items and interviews. The title of the program changes each year to incorporate the year of broadcast.

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A lyric documentary about home, time, memory and mortality, commissioned by the Centre Pompidou to accompany their retrospective of Terence Davies' work. Davies began to design this film based on his poems, but passed away before it could be realised. The film was produced posthumously according to Davies' instructions.

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From the music of Uruguayan composer Florencia Di Concilio, English filmmaker Terence Davies does a cinematic reading of his own poem about his late sister, delivered over a single serene shot of the countryside near his home in Essex. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

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Poet Siegfried Sassoon survived the horrors of fighting in the First World War and was decorated for his bravery, but became a vocal critic of the government's continuation of the war when he returned from service. Adored by members of the aristocracy as well as stars of London's literary and stage world, he embarked on affairs with several men as he attempted to come to terms with his homosexuality.

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An elegy to time and life, condensing Terence Davies' profoundly humane poetics into little more than one minute, enveloping the viewer in an atmosphere of light and (Davies' own) words.

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The story of American poet Emily Dickinson from her early days as a young schoolgirl to her later years as a reclusive, unrecognized artist.

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The daughter of a Scottish farmer comes of age in the early 1900s.

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The wife of a British Judge is caught in a self-destructive love affair with a Royal Air Force pilot.

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British director Terence Davies reflects on his birthplace of Liverpool - his memories of growing up there and how it has changed in the years since - in the process meditating on the internal struggles and conflicts that have wracked him throughout his life and the history of England during the second half of the 20th century.

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In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.

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During a train ride, a teenager recalls his upbringing in 1940s small-town Georgia and the events that have led to this point.

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Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.

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Siblings Maisie and Tony, along with their mother, gather for their sister Eileen's wedding. It is a joyous occasion, but through flashbacks, it becomes clear that the family was not always happy. Their father was physically abusive to his wife and left the children emotionally traumatized. As a result, the children have grown into unhappy adults, looking for love they didn't receive when they were young.

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In stark black and white, Terence Davies excavates the life of his fictional alter ego, Robert Tucker, in a narrative that slips between childhood, middle age and death, shaping the raw materials of his own life into a rich tapestry of experiences and impressions.

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A British man on his deathbed recalls moments from his life.

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A middle-aged British man struggles to reconcile his homosexuality and his Catholic upbringing.

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Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or eleven that year, picked on by bullies at the Catholic school he attends. He seems friendless. At home, his mother is quiet, his father is ill and angry. After his father's death, there's a wake, the coffin arrives, the body is removed. The lad grieves, alone.

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Christine looks after her ailing mother and toils in a provincial Austrian post office in the years just after the Great War. One afternoon, as she is dozing among the official forms and stamps, a telegraph arrives addressed to her. It is from her rich aunt, who lives in America and writes requesting that Christine join her and her husband in a Swiss Alpine resort. After a dizzying train ride, Christine finds herself at the top of the world, enjoying a life of privilege that she had never imagined. But Christine’s aunt drops her as abruptly as she picked her up, and soon the young woman is back at the provincial post office, consumed with disappointment and bitterness. Then she meets Ferdinand, a wounded but eloquent war veteran who is able to give voice to the disaffection of his generation. Christine’s and Ferdinand’s lives spiral downward, before Ferdinand comes up with a plan which will be either their salvation or their doom.

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