Joaquim Pinto

The artist Yvonne Bezerra de Mello, who, on her return to Brazil after several years living in Europe, was confronted with the situation of violence against children, was a central figure in denouncing the massacre of minors in the Candelaria Church (1993). This is a lucid and raw interview interspersed with street footage, living with the reality of abandoned children in the suburbs of Rio de Janeiro.

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Once upon a time, the last days of 2028. This world’s disarray, no more no less than ever. Accommodate, adapt, evolve. The inability to live. The endless survival. Angela, a retired history teacher, has long lived in voluntary isolation, locked in an apartment in Lisbon. All her life, she refused conventions. Today, on Christmas Eve, she is faced with a “trivial” decision. Hospitality.

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The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

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Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc

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Adaptation of the poem by Fernando Pessoa.

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Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

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A film essay on origin, life, religion, decay and more.

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A visualization of Alberto Caeiro's (Fernando Pessoa's) poem 'O Guardor de Rebanhos' (The keeper of Herds AKA the keeper of Flocks).

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THE GOSPEL ACCORDING TO JOHN read by Luis Miguel Cintra, one of the most prominent Portuguese actors. A glimpse at a personal experience of Jesus, filmed outdoors, from dawn to sunset, and materialized in the grain of the voice, the expression, control, rhythm and breath of the actor himself.

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This contemplative piece, an exploration of time’s passage and the permanence of nature, sets Beethoven’s “Sonata em sol menor” against images of farmers tilling the soil and flowers carried along by a brook. - FilmLinc

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A trans* cook making a typical Brazilian plate, feijoada à brasileira.

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A portrait of a group of teens from a Rio de Janeiro slum learning to surf.

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Redheaded twins Armando and Beatriz always dreamed of being firefighters but during a rainy, uneventful winter they find themselves spending less time putting out infernos than they do helping neighbors who’ve locked themselves out of their apartments. This is how Armando meets a pretty young woman with whom he begins a tentative courtship. But soon a rift grows between the siblings and, spurred by Armando’s exaggerated stories about his nascent relationship, Beatriz begins experiencing aural hallucinations that can only be remedied through music and, finally, the love of a stranger. Pinto made this impassioned fairy tale as part of a series of films about the four elements. - FilmLinc

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Laura lives in the country with her considerably older husband. When Nuno, her brother who study in Lisbon, pays a visit, he realizes that his sister does not have a happy life. He initiates a friendship with a worker on the farm. The circumstances turn Laura and Nuno against each other...

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12-year-old Miguel is punished because he has not done his homework properly: he must stay at his aunt's inn for holidays. First bored, then a friendship begins between him and other inn's regular holiday-makers, like maid Luisa or fisherman João. But doctor Fernando's arrival is going to overwhelm the place's peaceful life and to change Miguel's mind.

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A look back at the history of Brancusi's futuristic golden bronze phallus "Princess X" that is in fact a bust of Napoleon's incredible great-niece, Marie Bonaparte.

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Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

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A film essay on origin, life, religion, decay and more.

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The young girl, Antónia Margarida Castelo Branco, is handed over by her mother to Brás Telles de Meneses because of the obscure interests between rural aristocratic families in the North. Brás is a ruined man, a bohemian with a reputation for violence and erratic behaviour. Antonia’s fortune is the first sacrifice made by the young wife. Fascinated by the man who humiliates and ill-treats her, she follows him in a pilgrimage to increasingly barren lands, to increasingly less hospitable houses.

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The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.

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Once upon a time, the last days of 2028. This world’s disarray, no more no less than ever. Accommodate, adapt, evolve. The inability to live. The endless survival. Angela, a retired history teacher, has long lived in voluntary isolation, locked in an apartment in Lisbon. All her life, she refused conventions. Today, on Christmas Eve, she is faced with a “trivial” decision. Hospitality.

Open details →

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

Open details →

Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc

Open details →

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

Open details →