Joaquín Coss

A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.

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It tells the stories of the passengers aboard a nonstop train. Each character is portrayed one by one, and the only thing they have in common is the journey they will take that night.

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A 1941 film directed by Fernando de Fuentes.

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Three boys grow up to be a priest, a military commander and the town mayor.

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Plantation owner is way too much into his peasant girls. It causes problems.

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Cantinflas, the boyfriend of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his wife's brother (Leonardo), who had been lost for years. The rich man then remembers that his father in law's testament could only be paid when all brothers get together, so treats Cantinflas, a real bum, as a king.

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A 1940 film directed by Antonio Helú.

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A 1940 film directed by Rafael E. Portas.

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A 1940 film directed by Robert Quigley.

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A 1940 film directed by Enrique Herrera.

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Carita finds herself forced to reject the advances of her wealthy godfather because she already has a steady boyfriend. Spurned, the godfather changes his will, stipulating that the five million pesos he leaves to his goddaughter can only be claimed once she becomes a widow. Hoping to inherit the fortune quickly, Carita marries Lázaro Bermejo, a dying indigent. However, the beggar makes a miraculous recovery and regains his health.

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A 1940 film directed by Rolando Aguilar.

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Card-sharks blackmail a dissolute young man into participating in a big robbery; his brother takes the rap for him.

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A broken high society man tries to keep his family expensive lifestyle by tricking a rich man from out of the town to marry his well intended daughter.

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A 1940 film directed by William Rowland.

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In a small city, talented María was trained as a singer by blind composer Joaquín. They both dream of making it big in the capital but, when they finally make the move, they find that success is not achieved without struggles.

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Two con-men end up at a country estate, where they thwart some jewel-thieves.

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Alberto is born in wartime, where his father dies a hero. He grows up effeminate. His mother sends him to military college where Fernando bullies him, but they become friends. When war comes, he has to face his fears.

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Two middle-aged no-goodniks are trying to marry two young ladies; two age-appropriate young men concoct a scheme to prevent it, which involves one of them masquerading as the young ladies' aunt.

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Adapted from "Le mortel baiser", a stage play by French writer Loïc Le Gouriadec (also known as Paul Gury). The story follows Cecilia, the daughter of a wealthy and conservative family, who is about to marry the son of the town's mayor. When a physician specializing in venereal diseases arrives in town, he examines Cecilia's fiancé and informs him that he is still suffering from syphilis, which has advanced significantly since he contracted it years earlier.

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Mexican feature film

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Three bohemians rescue Ana María from her abusive stepfather. She lives chastely with them in gratitude. Over time, love blooms between her and Marcelo, despite their friends' heartache.

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A young woman is forced to marry an old pharmacist, but she is in love with a young man who is leaving town

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Tired of being mistreated by his wife and children, Isidro (Del Diestro) leaves his family and follows young variety dancer Chayito (Tamayo) to Mexico City. After becoming lovers, Chayito asks Isidro to steal money from the bank he used to work in the small town of San Jacinto. After commiting the robbery, Isidro is accused of murder and things get more complicated.

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No te engañes corazón (released in English as Don't Fool Yourself Dear) is the first full-feature film of Cantinflas after becoming a star of the carpa circuit (folk theater). It was also one of the earliest films of Sara García and Carlos Orellana and the first where they share the screen. Don Boni (Orellana) is diagnosed with a deadly disease and decides to spend his last days doing good deeds. He leaves his wife and decides to help people. He then gets drunk and wakes up with a winning lottery ticket and realizes that the doctor who diagnosed him has been sent to prison for fraud.

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