Susana Pampín

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

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Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

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After a devastating breakup, Vicky, almost 40, embarks on a quest for new love, unaware it will lead her to a profound—and hilarious—self-discovery.

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Gastón, an agronomist from Buenos Aires, settles in a thriving rural area to dedicate himself to his activity as a crop advisor. The struggle for his 16-year-old daughter, Vera, and his wife to adapt to the new life puts him in front of a dilemma that shakes the foundations of his work. What seemed like a new beginning becomes a present full of contradictions.

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Because podcasts have a limit, a person who loves his mother + his father would want to make ice or steel or else have a cemetery so that his mother does not suffer for anyone.

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Julia has just lost her life partner, Barby. Torn between her grief and a world that is crumbling without her, she strives to preserve the restaurant they built together and her bond with their son León. A relationship now threatened by a wilful grandmother and the return of an absent father.

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For over six years, Javier and Valeria have been trying to get pregnant. At work Javier is approached by Camila, a coworker, and tells him she is pregnant with his baby. In the following days, his relationship—indeed, his entire existence—starts to fall apart.

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As her Parkinson's disease progresses, a woman leads a relentless investigation into finding those responsible for the sudden death of her daughter.

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The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

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A young psychoanalyst visits an eccentric mentor with the intention of proving her method based on the use of substances and strange dolls. The procedure reveals more than she had expected, forcing her to confront her true desire.

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A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

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In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

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Martín goes jogging, but an unknown woman trips him up. The unknown woman’s husband doesn’t understand his wife’s behavior. Marín has a date but gets hurt. The woman who tripped him has a dream in which her poodle is butchered. No one understands what goes on in the mind of the other.

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Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

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Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its residents. Those who live on the top are afraid they’ll fall, the ones who live beneath are afraid they’ll drown.

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Iris' quiet and peaceful life begins to change dramatically when she hosts Maia, her friend's daughter. When Iris realizes that Maia is in love with an older woman, she begins to wonder if she herself might be that woman.

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Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

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A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

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Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

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Teresa’s life is turned upside down when she is forced to accept a job far away. On her way, she loses her bag, causing her to cross paths with El Gringo, a traveling salesman.

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Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

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The life and death of the tropical singer Gilda.

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The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

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Prostitute Roberta lives with her brother and demented mother in an Argentinian rural village. Mother warns Roberta that she can have sex with almost any man in the village, except one – because then she would be killed. However, this last candidate, Sicilio, has put his sights on her.

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In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.

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In this poignant period drama set in 1960s Argentina, a young woman, struggling to raise her twin daughters alone after the tragic death of her husband, accepts the courtship of a charming but mysterious older suitor.

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After a party, Agos and Ren find themselves in a strange place where they remember to have been before… A failed world bursting with dependences and doors leading to the same yet different place.

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A man travels to the country house of a distant aunt in search of peace and quiet. But when he arrives, he learns of a tragedy that happened there which keeps the house and the family frozen in time.

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Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

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Rosario is a paid assassin who kills men who mistreat or abuse women. When the police capture her, it's the end of the myth. But Maria, a hysteric invalid, saves Rosario in exchange for a different job.

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Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to tour the cemetery as one would on foot, however, but rather moves chronologically through the history enshrined there. A series of individuals are framed in static compositions as they read aloud excerpts from the writings of noteworthy Argentines interred within. (Some license has been taken, as the final resting places of certain figures represented - such as journalist Rodolfo Walsh, who was among the "disappeared" - remain unknown. The result is both poetic and political.) Beginning in the early 1800s, this history comprises civil war, battles with the country's native population, the conflict between the city and the provinces, and years of military dictatorship.

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This is the story of Javier, a 15 year old Argentinean who left for Mexico carrying the drama of his missing brother, prematurely deprived of his parents, and bearing the weight of collective blame.

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Mariana doesn’t like her name and starts calling herself Gloria. Her parents split up before she was one year old and today, like many separated couples, they are brought back together under the same roof only because they don’t have a decent job. Cristina, her mother, rents a part of the house to her ex-husband for a bit of extra money. “Francia” talks about those people who will never travel far from their home, where they take refuge, for good or bad, from all disgusting things in the outside world. Meanwhile, Mariana puts on her headphones when she hears her parents fighting. Those fights which now serve as a relief to the helpless.

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COMPANIONS deals with the love between people and dogs. It’s made up of scenes of intimacy—caresses, habits, games, cares, stories of coming and loss, of protection, and uprooting. The stories intertwine and make up a map of love and its enigmas.

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