Fabiana Perzabal

In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.

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A Jewish teenager is about to compete in the swimming nationals when a goy who works at a radio station invites her to a concert. The adventures and romance between these two will test their beliefs and family bond. While experiencing the worst economic and political crisis in the country, her father will do whatever it takes to keep her away from him and preserve his family pure. Confronting him, she will struggle to build her own destiny

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After realizing their babies were exchanged at birth, two women develop a plan to adjust to their new lives: creating a single —and peculiar— family.

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Rookie CIA field operative Isabel Alfaro works alongside infamous CIA legend Wayne Addison to bring down Rafael Bautista, Mexico's most vicious and brilliant narco. Her mission brings her into conflict with Eduardo Yzaguirre, her former boyfriend and the current Mayor of Mexico City, the cleanest and most inspirational politician in the country.

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After 20 years, Ana María returns to Mexico and vies for control of her family's tequila empire as it threatens to crumble under corruption and secrets.

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Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.

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Diego returns to Mexico after teaching architecture in Madrid and runs into his old love Carmen. He plans a dinner for two to celebrate the end of the year. Carmen assumes that Diego will propose marriage to her that night but the unexpected arrival of Valentina (his Spanish girlfriend) and the revelation of Carmen’s secret past change the fate of the characters

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Ramiro is a theater actor who lives estranged from his father and half brother. One morning, he runs into a suicide, who says he is an evil omen. Despite Ramiro´s efforts, the young man dies before his eyes, which leads him to believe that he has caught his bad luck. From then on, his life turns upside down, at the same time as he gets together with his family to fulfill his father´s last wish: to find the love of his life and say goodbye to her.

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Lucia is a Mexican girl from a poor town who sets her mind to cross the border to The United States to find her son's father who she hasn't heard from in years. On the road she meets Fernanda, a high middle class girl that has unresolved issues with her ex-boyfriend and is willing to travel hundreds of miles to resolve them once and for all. Lucia and Fernanda are two girls from two very different social backgrounds, yet they travel the same road hoping to reconnect with the men they love. But it seems destiny has brought them together in their individual quests to share a path, to know each other and to know themselves a little better and discover if happiness is at their destinations.

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A fairy tale about the political and socioeconomic realities of Mexico.

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In a world devoured by an invisible force known as disenchantment, the stories of three characters intertwine: Diego, who tries to make a movie about the dreams of Ximena, an adolescent experiencing her sexual awakening, who is secretly in love with him and who, in order to help him in his bizarre project, leads him to Ainda, a conceptual artist with bat wings, with whom the naïve filmmaker falls madly in love. Ainda is attracted by the purity of the young people and seduces them both, which leads to a magical moment in the lives of all three. But soon the young people discover that their beloved harpy’s heart belongs to a being from beyond the grave. Then the idyllic relationship of the three characters begins to crumble and they do everything in their power to prevent it, as the dark force of disenchantment closes over the city.

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The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.

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Alberto resorts to disturbing and extravagant practices to break through the shell of his loneliness and fulfill his desires.

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Julia and Moises fell in love and got married when they were young, idealistic, and passionate; now in their 30s, their marriage has cooled and their lives have sunken into the mediocrity they had sought to avoid. This realization inspires a quest to regain the lost dreams of their youth, which is complicated when a handsome student begins to pursue Julia. She begins an affair with the fiery young activist that may just put the excitement back into her marriage. This is a funny and insightful exploration of the intricacies of relationships, love, and idealism, and Jesus Ochoa as Moises turns in a stellar performance.

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A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

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Yaaranday is a Mexican telenovela by TV Azteca. It premiered in 1998. The protagonists are Aylin Mujica and Jorge Luis Pila.

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A female android comes to terms with her artificial life and her capacity to change reality.

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