Liraz Charhi

Within the spectacular, complex and corrupt world of gladiatorial sports in Ancient Rome, follow an ensemble of diverse characters across the many layers of Roman society where sports, politics and business intersect and collide.

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The grand celebration of the 40th anniversary of the Festigal is taking the stage. Legendary stars of previous Festigal shows have assembled to honor the show's legacy and revisit their classic songs. But behind the scenes, not everything seems to go according to plan. Previous villains of the Festigal show are furious that they weren't invited to join the celebration. Led by their anonymous leader, they scheme to sabotage the production. Due to COVID restrictions, the show couldn't be performed live. Therefore, it was pre-recorded and streamed online, with multi-choice interactive moments, "choose your own adventure"-style, using the Eko platform.

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Just as the Festigal is about to celebrate its 40th anniversary, the COVID outbreak prevents it from taking place. Disappointed children and stars rally together to protest the legendary director, Hanoch Rosen, not to give up on the show, exactly when the kids of 2020 need it the most. The short film serves as a prologue to the full show and its preceding online activities, as well as an introductory video to the interactive elements of the Eko system, through which it was originally released.

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Tamar is a Mossad hacker-agent who infiltrates Tehran under a false identity to help destroy Iran's nuclear reactor. But when her mission fails, Tamar must plan an operation that will place everyone dear to her in jeopardy.

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Azam Salameh, a Palestinian theater director, directs an autobiographical play in the mixed Jewish-Arab city of Acre. The play takes place in 1947, during the final days of the British Mandate, and tells a love story between his grandmother, the singer Layla and Dr. Alfasi, the last Jewish citizen who remained in the city of Acre during the War of 1948. The play comes under threat and never sees the stage. This film is the only remaining testimony. —Haifa International Film Festival

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