Miroslav Krobot

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Sara has come to terms with her position as a detached observer of other people's lives. She is fascinated when she meets the gallant, graceful, and soft-faced Martin. Gradually, their connection grows, but when Sara wants to take their relationship to a deeper and more physical level, Martin shies away. He is hiding a deep secret. Refusing to accept his unwillingness to open up to her, Sara compels him to expose himself, and when he finally does, it turns out he is intersex, a hermaphrodite. Sara’s love remains strong, but when she unintentionally reveals Martin’s secret to her family, she discovers that her joy at the relationship has blinded her to the reality of how society deals with “freaks.”

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The little man enjoys social life in the forest village, runs a forest kiosk with Majolenka, and has a band with his friends. The idyll is disrupted by reports of strange deer threatening the forest inhabitants. Suspicion is also aroused by the eccentric protector Dr. Zetek, who distributes televisions throughout the forest. Fear gradually takes hold of the villagers, the forest is swarming with robots, and the kiosk is empty. The little man must once again set out on a journey to save his beloved Majolenka, his friends, and indeed his home.

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An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

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A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

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A boy is accidentally killed at an informal hunt somewhere on the border of two European countries. One of the people involved is Minister Berger, the hot candidate for the influential post of High Commissioner for Water Management, who will be tasked with finding the solution to increasing water shortages across Europe. The government hires secret agent Steiner to hush up the scandal. The more he investigates the case, the more embroiled he becomes in dilemmas of power and its execution.

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After losing her husband, Jarmila finds herself at a crossroads in her life, where she must decide whether to patiently "wait out" the rest of her life or rebel and throw herself into an adventure with an uncertain outcome. Despite the well-meaning advice of her adult children, she chooses the latter. This involves living in a cottage in the romantic wilderness of the Mácha region, which her husband particularly loved. In addition, he bequeathed her a retired circus horse named Buka in his will, which at first glance seems like a cruel joke, because Jarmila is afraid of horses. With the help of her neighbors, she decides to face the situation head-on and soon discovers that, although it didn't seem like it at first, it is precisely this horse that could bring happiness back into her life.

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An actor called Šnajdr is given an opportunity to make his debut as a director. He doesn’t think twice about leaving Prague and dashing off to Olomouc, where he is met by the grumpy director of the town’s cultural centre and his eccentric grandma, who is to be the star of his production and who's perfectly attuned to his sense of humour and mystification… A bittersweet comedy directed by Miroslav Krobot and starring Pavel Šimčík and Iva Janžurová.

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When a villager is injured by a car at a party, firefighter Brona is immediately convinced that it is an attack perpetrated by an “Arab”. His colleague Standa sees things differently. A laconic film that explores the causes of racism.

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When Herra, a young Czech woman, falls in love with Nazir, an Afghan, she has no idea what kind of life awaits her in post-Taliban Afghanistan, nor of the family she is about to integrate into. A liberal grandfather, an adopted child who is highly intelligent and Freshta, who would do anything to escape her husband's violent grip.

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Josef is a writer aged sixty, who thinks that nothing can surprise him any more. One evening, though, his phone rings and he finds himself caught up in a series of events that turn his world upside-down. His best friend – also a writer – tries to commit suicide; his young girlfriend Katka tells him she’s pregnant; and the man with hare ears – his alter ego from one of his stories – appears to him in everyday situations.

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So close, yet so far. Although a bit exaggerated, this can be said about Poles and Czechs – neighbours and related nations. This powerful film builds on the contradictions of two worlds: Czech atheists vs. the exotic reality of a Catholic country. There is no shortage of amusing scenes. The filmmakers address passers-by, nuns, employees of the anti-Semitic Radio Maryja, a priest accused of sexual harassment, and an exorcist. Karel not only becomes an explorer who seeks to find the truth about Polish faith, but at another level also a pilgrim who, through the “path to film” wants to find faith himself. Last but not least, the documentary asks what has happened to Poland in recent years? Why is it as internally divided as Czechia?

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A primary school teacher with an inferiority complex about her weight, a bank clerk who suddenly develops a strange rash around her eyes, an aging owner of a 24-hour deli in an unhappy marriage, a lonely man living in the woods and strangers' cottages. They can continue to survive with their problems, hide them, and not deal with them. Or they can fight it and, at the cost of scars and wounds, improve their lives.

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Urban, an orphan, serves a greedy master watchmaker as an apprentice. When Urban grows up, he falls in love with the watchmaker's daughter Laura and wants to marry her. Before this can happen, the master sends his apprentice out into the world with the task of looking for a mythical watch that can warn of death. No one knows if the watch even exists, but if Urban doesn't bring it back, Laura will never be his wife. The watchmaker's apprentice therefore sets out on a long journey full of hardships, which he must overcome with bravery, skill and a good heart.

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The cast of a popular kid's show based on offering answers must figure out why young viewers mysteriously no longer have anything to ask them.

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Vodník is the fourth and penultimate series of the television miniseries from the Detectives of the Holy Trinity cycle. In her spare time, Marie Výrová independently investigates a case long closed by the police involving the incomprehensible murder of a small child on the outskirts of Olomouc, which took place more than twenty-five years ago. Disturbing testimony from a witness to the long-ago tragedy prompts Marie Výrová to revisit the hopeless case and attempt to clear the unjustly convicted perpetrator.

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Ludovít's only son was murdered by neo-Nazis. However, due to the dysfunctional judicial system, the same perpetrators are released, and Ľudo is trying with all its might to achieve their re-arrest. He struggles with the apathetic police, the opportunistic judge, but also with the fact that he did not know his son well enough and was not a support for him. The more he blames himself for his death, the more his relationship with his wife Zuzana and daughter Janka falls apart. And all the more persistently he tries to intervene in the investigation himself. However, when he learns that his son's death was not a random attack by extremists, but an organized criminal group, he realizes that he is up against an enemy beyond his strength. He will try to save at least what he has left - his own family.

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A story about Janina Duszejko, an elderly woman, who lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who (or what) is the murderer, but nobody believes her.

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This time the detectives deal with the case of a murdered professor. One day a cleaning woman finds him shot to death in his own study. The detectives will thus investigate whether the murder is connected with the victim's persistent effort for the removal of the University's quaestor because of the latter's strange machinations during the reconstruction of the University building. And they'll also want to know why the murderer took the great risk involved in killing the victim on the university soil. The search for the answer to the question who could wish the death of the peculiar but honest professor will take them farther than they have expected.

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The Little Man lives happily in his little house in the Hollow Mountain. His peaceful life ends once he begins to have dreams about a mysterious house where he is to find what he desires. Even though he does not feel like having any desires, he crack the mystery himself.

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An ordinary man with an ordinary job, ordinary family and ordinary affair has an unordinary day after he signes the Charta 77.

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In a small Czech town, mother dependent Robert, his attractive girlfriend Simona, histrionic Tomas and extremely reserved History freak Funes, all dissatisfied with their lives, are members of the same string Quartet. As they rehearse for their next concert, they will get into a circle of eccentric situations and misunderstandings.

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When not serving regulars at a pub in the middle of a sleepy northern Moravian village, thirtysomething Maruna spends time with hesitant Jura and naïve outsider Olin – or fighting with her imperious mother. Lightened with a touch of black humor, this laconic village drama is the directorial debut of the artistic director of Prague’s Dejvice Theater who gave the members of his ensemble a one-of-a-kind acting opportunity in film.

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