Jean Marais

Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.

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The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

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She is said to be cold, secretive and mysterious. She has the reputation of not letting anything of her intimate thoughts, her private life, her joys as well as her torments show through. She managed to protect her family, her loves, her choices from the curiosity of magazines and her public. A tour de force for a sixty year long career with more than one hundred and thirty films shot with the greatest filmmakers in the world. However, the raw material for a very personal account of Catherine Deneuve exists: it can be found in the interviews given by the actress from her beginnings until today. They allow us to discover another Catherine Deneuve.

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In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

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A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.

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Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.

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An english tv-team discovers a special white flower in the indonesian rainforest, but they never get to investegate it further, before the danish recluse Severin has shot them down. A danish special enforcement with a psychiatrist in front is sent off, and they find out, that Severin claims, that he is 129 years old, and it's the flower, which keeps him young. Soon all hunts the white flower, which apparently gives eternal life.

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A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

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Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...

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A film scrapbook, images, phrases from our past, hiding their meanings behind veils. Let's lift those veils, one by one, to find how images, at one time seeming innocent, have revealed, after decades, to have homosexual overtones.

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This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.

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More than fifty years after its making, we return to the set of Jean Cocteau's 1946 film "La Belle et la Bete" (Beauty and the Beast). Included are interviews with the the lead actors, the cinematographer, along with excerpts read from the director's journal.

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Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.

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Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.

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In WWII France, poor and illiterate Henri Fortin is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.

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A father tells his story to his eight-year-old son. Pictures of his past in Algeria come back in flashback : Bab El Oued, la Madrague, Sidi Ferruch, Chenoua, Tipasa, Oran, Constantine, Candle , the Kabylie, the light, the noises, the music, the events, the last hopes.

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Eight children of a wrecker live together on a strange island, in a supernatural happiness. Until their little paradise is disturbed when an old lady is discovered murdered there. They then embark on the investigation in search of the truth.

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Documentary on the singer Damia made for TV.

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In this drama, the popular French film star of the '30s and '40s Jean Marais plays Victor, a disgruntled, cranky old man who is forced to come to terms with the fact that he is now the guardian of his mulatto grandson Clem (Serge Ubrette). Victor is shocked to discover his grandson's mixed heritage when he travels to London to pick him up, but resigns himself to the situation. Once at home in France, the brash Clem manages to steal the heart of the most coveted young woman in town, but that only gets him into trouble with her tough-guy boyfriend and his buddies. Meanwhile, Grandpa is trying to come to grips with his own biases as best he can.

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Rock star Orpheus writes love songs for Eurydice, who designs his album covers. Torn between her and his sound engineer, Calaïs, he discovers Eurydice has died of an overdose. Desperate, he descends into the Underworld to bargain with Hades.

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The César Awards are cinematographic awards created in 1976 and presented annually in Paris to professionals of the 7th art in various categories to recognize the best French productions. They are often cited as the French equivalent of the Oscars in the United States.

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A talk show presented by Michel Drucker

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Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

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Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

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Balsamo, a scoundrel with the gift of mesmerism, seeks to gain power in the French court in the days before the Revolution.

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