Charles Burnett

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

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A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

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Filmmaker Robert Townsend executive-produced the following fifty-six-minute program for Criterion’s Meet the Filmmakers series in 2018. In it, he and Charles Burnett reflect on Burnett’s groundbreaking career in cinema, returning to South Central Los Angeles and the shooting locations of his landmark films Killer of Sheep and To Sleep with Anger.

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How did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960's and 1970's? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope - from New Jersey to California - this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.

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Part of a multi-platform project highlighted by an hour long documentary about black filmmakers who worked and studied at UCLA between 1965 and the 1990s.

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What does it mean to be Black in America in the 21st century? The recently formed Black American film group TNEG™ has set out to elucidate this very question. Hearing from the likes of fine artist Kara Walker and musical artist Flying Lotus, the film is based on a deceptively simple approach -- asking a refined list of black 'specialists' as well as 'uncommon folks' questions about what they think, and more importantly as lead director Arthur Jafa states, 'What they KNOW' -- the film is an unprecedented 'stream of the black consciousness' and a strikingly original and rarefied look at black intellectual and emotional life. What's so unorthodox about this simple approach is that the interviews were recorded separately from the images in the film. What results is a breathtaking, kaleidoscopic look of American black life from the dawn of three original filmmakers.

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A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

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Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.

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In 1831, Nat Turner led a slave rebellion in the United States that resulted in the murder of local slave owners and their families, the eventual execution of 55 rebels and the retribution lynching of more than 200 innocent slaves. Nat Turner: A Troublesome Property examines how the story of Turner’s revolt has been interpreted throughout history and how it continues to raise new questions about the nature of terrorism and other forms of violent resistance to oppression. The film adopts an innovative structure by interspersing documentary footage and interviews with dramatizations of these different versions of Turner’s story. A unique collaboration between MacArthur Genius Award feature director Charles Burnett, acclaimed historian of slavery Kenneth S. Greenberg and Academy Award-nominated documentary producer Frank Christopher, Nat Turner is a compelling look at one of history’s most mysterious figures.

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A Little League baseball game becomes the unlikely context for this lyrical drama about memory and loss, told from the perspective of a Korean-American woman and her grandmother.

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A global portrait documenting the year's events, Cinetracts '20 features the work of an international lineup of 20 filmmakers. Capturing the zeitgeist in their own backyard, the artists' short films are the culmination of a year-long residency project.

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A teenage boy leaves a moment of boredom while his father works on his old car, and the mother wishes to go out for a stroll around the block. One more relocated family post Hurricane Katrina.

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Namibia: The Struggle for Liberation is a 2007 epic film on the Namibian independence struggle against South African occupation as seen through the life of Sam Nujoma, the leader of the South-West Africa People's Organisation and the first president of the Republic of Namibia.

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Director Charles Burnett (Killer of Sheep, My Brother's Wedding, To Sleep with Anger) presents a tale about a young boy's encounter with his family in Mississippi in the 1950s, and intergenerational tensions between the heavenly strains of gospel and the devilish moans of the blues.

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The Blues (2003) is a seven-part documentary series produced by Martin Scorsese that explores the history and influence of blues music. Each episode, directed by a different filmmaker, traces a unique aspect of the genre’s evolution—from its African roots to its global impact. Originally airing on PBS, the series includes Scorsese’s Feel Like Going Home, Wim Wenders’ The Soul of a Man, Richard Pearce’s The Road to Memphis, Charles Burnett’s Warming by the Devil’s Fire, Marc Levin’s Godfathers and Sons, Mike Figgis’ Red, White and Blues, and Clint Eastwood’s Piano Blues.

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In 1831, Nat Turner led a slave rebellion in the United States that resulted in the murder of local slave owners and their families, the eventual execution of 55 rebels and the retribution lynching of more than 200 innocent slaves. Nat Turner: A Troublesome Property examines how the story of Turner’s revolt has been interpreted throughout history and how it continues to raise new questions about the nature of terrorism and other forms of violent resistance to oppression. The film adopts an innovative structure by interspersing documentary footage and interviews with dramatizations of these different versions of Turner’s story. A unique collaboration between MacArthur Genius Award feature director Charles Burnett, acclaimed historian of slavery Kenneth S. Greenberg and Academy Award-nominated documentary producer Frank Christopher, Nat Turner is a compelling look at one of history’s most mysterious figures.

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This video work intermingles fiction with actuality in a poignant confrontation with homelessness.

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A musician spends New Year's Day trying to help his friend pay the rent.

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J.J. is a rookie in the Sheriff's Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.'s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.

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Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority. The feelings and stories of ordinary people are featured in everyday context in six cities across the county. Interviews with residents of Chicago, Houston, Philadelphia, Miami and several other places probe the changing relationships between newcomers and established residents.

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An enigmatic drifter from the South comes to visit an old acquaintance who now lives in South-Central LA.

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An Iranian couple (Shohreh Aghdashloo, Mohsen Marzban) declare themselves political refugees after police detain them on their way to Cuba.

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With dreams of fame and fortune, Faith goes to Washington where she quickly discovers that the life of a budding starlet can be tougher than the ghetto hell she left behind.

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This charming tale focuses on Willa Ledbetter, an African American middle-aged school teacher in Watts, and her longing to visit her parent's homeland of Cuba. In the face of unexpected political and familial pressures to forego her dream, Willa struggles to make her decision. The title of the film refers to the shape of the island - the crocodile being its national symbol - and the menace socialist Cuba represents to many people in Willa's world.

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A young African-American man, living in Los Angeles without direction in his life, reluctantly agrees to be the best man for his brother, an upwardly mobile lawyer.

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Charlie Banks, chronically unemployed, struggles to find dignity and a meaning for life in the impoverished Los Angeles neighborhood of Watts.

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An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)

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In the course of a botched purse-snatching, a boy comes to question the path of his life. Billy Woodberry’s second film, and first completed in 16mm, adapts Langston Hughes’ short story, Thank You, Ma’am, and features music by Leadbelly, Thelonious Monk and Miles Davis. (Ross Lipman)

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Dorothy is a poor black woman. Her husband is put in jail for no observable reason, and she is pregnant with a second child. The government threatens to take away her welfare if she does not get an abortion.

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A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.

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An African-American man working at a slaughterhouse in the Watts area of Los Angeles leads a dissatisfied and listless existence.

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This critically acclaimed 1973 short is about an aristocratic white farming family who has a horse that is being put away, by the father of a young black boy named William. William cares for said horse in its last moments, as the male family members eagerly wait for his dad to arrive.

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An improvised late '60s short-subject student film, and debut movie of Charles Burnett, done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale about a rag-tag group of unemployed black male pals.

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Filmmaker Thomas Penick explores race, gender and violence in this provocative, disturbing drama set on a hot, summer day in 1969. When a woman accepts a ride from two men at the corner of Western and Adams, the encounter quickly turns ugly, venturing into painful, surreal territory.

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