Carlos Azpúrua

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

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After several years of retirement, Roco decides to make a new film. To achieve this, he reassemble his crew: cinematographer Larsen, Nacho the cameraman, soundman Meta and Cacho, the ever loyal machinist. But social and personal crises have dispersed the strange and remote territories of reality. Sometimes dramatic and and sometimes funny, Roco's search will lead him to an unavoidable encounter of life, death and rebirth.

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The documentary recreates the facts in the life of the Yukpa Chief, Sabino Romero, an indigenous fighter killed on March 3, 2013, in the Chaktapa community of the Sierra de Perija in Zulia state, Venezuela. The film reflects the infinite struggle of Sabino and his people, accompanied by the social groups, in this story of truly libertarian images made with blood and fire, revealing the skein of interests that forged and carried out Sabino's murder, and the attitude Inhuman and murderous of those who made it another victim of history.

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In December of 2002, McDonald's had to shut down their restaurants in Bolivia. The company cited financial problems, but the real reasons were to be found elsewhere. Bolivia may be a small, poor nation on the global market, but a country's fierce local food culture can be sometimes a more powerful factor than economic clout. In his first feature-length documentary, Fernando Martinez shows what happened, a story driven by the characters behind the events and their life stories, such as renowned cooks and a review of popular sayings about the Bolivian food. The symbolism is obvious when a multinational giant is 'brought to its knees' by a country's traditions and heritage.

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Carlitos López tries to recover her robbed car named Sharon, even if that risks his relationships with his ex-wife, girlfriend, and family.

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During a police round-up, Mercedes witnesses the unjust murder of her son, a working-class man, by a police captain. Refusing to accept the official version of the story - that her son was a criminal - she launches a campaign for justice. Santiago, a young journalist moved by Mercedes's passion and determination, begins to investigate the story of the police cover-up at the risk of his own life. As the investigation develops, the film exposes the depth of Venezuela's corruption.

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Documentary about multiple the denouncement of military, religious and science sectors, in relation to the violation of the indigenous tribes of the Venezuelan Amazon by the american evangelical mission New Tribes

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A documentary about the building of a damn near Caño Mánamo and the effects it has on the environment.

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This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.

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Yo hablo a Caracas (1978), the first documentary by Carlos Azpúrua, is marked by the luminous presence of the Yekuana shaman Barné Yavarí. This elder from the Amazonian forest articulates two powerful and prophetic warnings: first, a demand for respect toward the sovereignty of Indigenous beliefs and culture; second, a grave denunciation of the threat posed by “criollo” presence and its economically irrational logic to the natural balance of the Amazon. Through Yavarí’s voice, the film contrasts modern exploitation with a millennia-old Indigenous worldview grounded in harmony with nature, turning the documentary into an early and resonant plea for cultural dignity and ecological consciousness.

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