Aurore Clément

80-year-old Jean-Luc is set to play Don Quixote. It's the role he's been waiting for to bid farewell to the stage. Given his health concerns, the production team hires an understudy. Jean-Luc becomes convinced that the understudy is trying to take his place.

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An American filmmaker faces challenges and self-discovery as she arrives in Paris for Fashion Week on a life-and-death journey.

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In 1950s France, Helene and Michel lead a simple life until a freak accident in 2025 leads to Helene becoming a bank executive and Michel struggling with unemployment and depression. Their children grow up in a technology-dominated world.

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The renowned psychiatrist Lilian Steiner mounts a private investigation into the death of one of her patients, whom she is convinced has been murdered.

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François, owner of Tout-Paris cabaret, struggles to decide between selling his historic venue or keeping the legacy. Amid personal stories of dancers Justine, Teresa, and Coralie, the cabaret troupe rallies to recapture its former glory.

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After the birth of her first child, Diane disappears in an unknown city, but her body reawakens her memories and what she is fleeing from.

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This visual essay, produced in 2023, builds upon rare radio interviews that Chantal Akerman gave in 1975 and 1977, in which she reflects on her films and her ascendance to critical success.

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It’s summer and France is hit by a polar cold. Ten lone and lost souls find each other, a profound meeting as a last chance to hope and fear, to love and dream. Ten tales as tribute to Monet’s Water Lilies, ten tales portraying an impressionist painting of today’s France.

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Two intertwined families who have made half a century of cinema. La Grande Bouffe, We won’t grow old together, Tchao Pantin, Apocalypse Now, Bienvenue Chez les Ch’tis, The Artist. At the center of this family, an unknown to the general public: Paul Rassam. His brother and his brother-in-law are more famous: the sulphurous Jean-Pierre Rassam and Claude Berri. It is a story peppered with drama, and today, a new generation has taken over. Thomas Langmann – son of Claude Berri – and Dimitri Rassam, son of Carole Bouquet and Jean-Pierre Rassam.

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Tridan Lagache has spent his whole life at Club Med, changing friends every 8 days. At 50, he resigns from the vacation spot where he was born, determined to track down his great mini-club childhood love, Violette. He shows up in Paris, naïve and lost but glad to be lodged by Louis, a half-brother he never knew he had. In order to be rid of the cumbersome Tridan, Louis passes one of his fling off as Violette, and Tridan, all emotional, thinks he recognizes her at first glance.

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Except for Amine and Kimmy, the young couple of neighbors she meets regularly, visitors are rare in Constance Brunel's antique store. Loneliness is also her life. One night, Amine, in a panic, seeks help at her house: Kimmy has fallen badly when she slipped and she has killed herself. Thinking that the police will not believe this version because of his judicial past, Amine borrows Constance's car to take the corpse and make it disappear. In the days that follow, this shared secret brings Constance and Amine closer. But one morning, an anonymous letter accompanied by photos demands a ransom: someone in the building has seen everything, the blackmail begins.

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In Paris, a young girl is found dead in a Parisian square, wearing an evening dress. Commissioner Maigret will try to identify her and then understand what happened to the victim.

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Pierre is still mourning his dead wife when he meets Laura, a joyful and sensual woman with whom he will have a new child, little Autumn. But will this passionate and unexpected love be able to resist the demons of the past?

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In the beautiful family home, at the end of the summer, Monique celebrates her 70th birthday, surrounded by her 4 children, all of whom have come for the occasion. There is Jean-Pierre, the elder, who took on the role of head of the family after the death of his father; Juliette, pregnant with her first child at 40 and who still dreams of becoming a writer; Margaux, the family’s radical artist, and Mathieu, 30, anxious to seduce pretty Sarah. Later, one day, one of them will make a life-changing decision ...

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Two children at a crime scene. One is guilty; the other, a witness. 25 years later, one is trying to forget, while the second one will never be able to.

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An actress will play Barbara, the French singer. The shoot will soon start. The actress works on her character, her voice, the songs, scores, the gestures, knitting, scenes she has to learn, things are going okay, there's progress, development, she is even overwhelmed. The film director also works, through his encounters, through archives, music, he let's himself be submerged, overwhelmed like the actress, by the actress.

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A silent fisherman in Texas, a blazing oil field in North Dakota, a mysterious community in Virginia, a women’s prison in Oregon, and a modernist home in California are the ostensible subjects of Austin Lynch and Matthew Booth’s new feature, GRAY HOUSE. But as meditations upon nature, isolation, decadence, and destitution, they are flawless conduits for seamless blends of documentary and narrative form, and stunning explorations of sound, image, and cinematic time. Mysterious and elusive, yet possessing an aesthetic and sensory unity (appearances by Denis Lavant, Aurore Clément, and Dianna Molzan mix with direct addresses from real-life laborers and inmates), GRAY HOUSE quietly recalibrates one’s sense of the world and our place within it.

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Anne is at a crossroads in her life. Long married to a successful, driven but inattentive movie producer, she unexpectedly finds herself taking a car trip from Cannes to Paris with Jacques, a business associate of her husband. What should be a seven-hour drive turns into a carefree two-day adventure replete with diversions involving picturesque sights, fine food and wine, humor, wisdom and romance - reawakening Anne's senses and giving her a new lust for life.

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An American couple, Paul and Marianne, spend their vacation in Italy and experience trouble when Marianne invites a former lover and his teenage daughter to visit, which leads to jealousy and dangerous sexual scenarios.

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I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

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A young woman makes a surprising discovery about the husband of her late best friend.

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The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.

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A young woman inherits her family's historic home on the coast of Brittany, a house she has not been to since her father died there when she was age 12.

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A young farmer in Central France tries to sustain his spiritual connection to the land amid the crushing pressures of modern agriculture in this brooding drama.

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Everyone knows that Ruben is Jewish, gay, half-French, half-Finnish, an ungrateful son and disappointing lover, a thief who can’t help himself, and possibly a murderer to boot. The only person who doesn't know who Ruben is is Ruben himself. When he comes to a major turning point in his life, Ruben cannot make up his mind which way to go. Should he follow his people or his heart?

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Sarah tells Paul that she wants out of their marriage; the next day she disappears. A year later and Paul along with their children return to his childhood town to start anew after the loss of his wife and their mother.

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Sylvie Neige is 35. An only child, she lives and works on her parents' farm. The only entertainment she allows herself is a drama class held in the next village. There she meets Gabriel, a seductive city dweller who invites her to stay with him for a weekend.

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Philippe is a singer and in the existence of a singer, there are times when everything accelerates especially when a crazy groupie, neglected parents, a lunar ornithologist and a tough childhood friend strive to complicate the life... How to get out ?

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The wedding of Vincent and Berenger does not begin well. For starters, the fabulous cake for the reception falls apart as the butler of the château, and one of the caterers is taking down a flight of stairs falls. The cream puffs are carefully picked up from the floor an arranged as though nothing happened. The bride comes from a bourgeois family, presided by Maddie, an old lady with a secret in her heart. The wedding, to be performed at the local church, by father Victor, proves to be not the classic marriage that has been planned...

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At 18, Claire is torn between swim practice and the pangs of first love. The elderly and eccentric Maurice Reverdy takes her in in his big house, but the girl carefully avoids this faraway figure, who is none other than her grandfather. Proud, rebellious, solitary, they represent two generations that are simultaneously attracted to and repelled by one another. Their lives will intertwine, as one seeks out her future and the other is tormented by his past.

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Fascination can drive us to take surprising action. In this same, perhaps illogical manner, I wanted, for my part, to return to the origins of "Zabriskie Point", the film by the Italian director Michelangelo Antonioni. Can we rediscover in reality the meanings lost in fictions ? How does one belong, body and soul, to a work of this nature? To these questions, I set out to find an answer. Accompanied by my camera, I put into images this long voyage that would offer me the best, as well as the worst.

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