Beatrice Ring

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

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This movie is based on the true story that made headlines all over the world: the story of a relationship gone sour between a Japanese man very much in love with a French model. Some time later, it was discovered that the woman was turned into "sushi." At that time the man had already eaten a few body parts. To the arresting officers in Paris, he justified his acts as a proof of profound passion. In the late 80's many books and films find inspiration by the sinister love story.

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Carmine Bonavia wins election as the mayor of New York on a promise to legalize drugs. After the election, he marries Carrie and goes to his ancestral home of Sicily for their honeymoon. In his hotel, he meets Il Principe, a Sicilian prince who has spent years confined to the hotel because he crossed the Mafia. Amid the beauties of Sicily Carmine discovers that men of power will stop at nothing to prevent the legalization of drugs, which threatens their business.

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When a terrorist's body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing a virus and bacteria into the atmosphere over a small island.

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Five teenage thieves are challenged by a local bartender to stay overnight in the supposedly haunted catacombs of a nearby cemetery, promising them a rare treasure if they can make it through the night.

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Following the opening of a Japanese auto factory in Sicily, the head of the company is kidnapped by Sicilian mobsters. This was a co-production between Italy and Japan's Toho Studios.

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Humans fight mutants in a post-holocaust world.

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The Film centers around an American-style fast food restaurant in Milan, the employees who work there and the clients that frequent the place.

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Sandro is a Roman adrift in Venice during the Carnival. After sixteen years of marriage, Sandro can no longer reconcile his spontaneous and lively character with that of his wife Laura, a cultured and composed Venetian woman. Yet another argument prompts him to leave her and seek refuge at the home of a painter friend. Among his many paintings, he notices one depicting a naked woman who bears an incredible resemblance to his wife. Are they two women or one, and in the masquerade of the Carnival, what is real?

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