Andy Richter Controls the Universe

Liz Lemon, the head writer for a late-night TV variety show in New York, tries to juggle all the egos around her while chasing her own dream.

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The Dick Van Dyke Show centers around the work and home life of television comedy writer Rob Petrie. The plots generally revolve around problems at work, where Rob got into various comedic jams with fellow writers Buddy Sorrell, Sally Rogers and producer Mel Cooley.

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Claude Casey moved up in the secretarial world of television news, from temp to the anchor's desk. After her boss hires her full time, Claude realizes she may be in over her head in this world of assistants fighting to get ahead. But Claude is determined to prove that though she may not be perfect, she's not going down without a fight.

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A comedy that follows three Chicago EMTs who despite their narcissistic and self-destructive personalities are uniquely qualified to save lives.

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Good Times is an American sitcom that originally aired from February 8, 1974, until August 1, 1979, on the CBS television network. It was created by Eric Monte and Mike Evans, and developed by Norman Lear, the series' primary executive producer. Good Times is a spin-off of Maude, which is itself a spin-off of All in the Family along with The Jeffersons. The series is set in Chicago. The first two seasons were taped at CBS Television City in Hollywood. In the fall of 1975, the show moved to Metromedia Square, where Norman Lear's own production company was housed.

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The Bob Newhart Show is an American situation comedy produced by MTM Enterprises, which aired 142 original episodes on CBS from September 16, 1972, to April 1, 1978. Comedian Bob Newhart portrays a psychologist having to deal with his patients and fellow office workers. The show was filmed before a live audience.

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The League is an American sitcom and semi-improvised comedy about a about a fantasy football league and its members and their everyday lives.

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Archie Bunker's Place is an American sitcom originally broadcast on the CBS network, conceived in 1979 as a spin-off and continuation of All in the Family. While not as popular as its predecessor, the show maintained a large enough audience to last for four seasons, until its cancellation in 1983. In its first season, the show performed so well that it knocked Mork & Mindy out of its new Sunday night time slot.

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A British husband-and-wife comedy writing team travel to Hollywood to remake their successful British TV series, with disastrous results.

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A long-running dramedy centering on the Winslow family, a middle-class African American family living in Chicago, and their pesky next-door neighbor, ultra-nerd Steve Urkel. A spin-off of Perfect Strangers.

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Texas native Jamie King is an aspiring actor who heads to Hollywood in hopes to find fame and fortune in the entertainment industry. To support himself, he works at his Aunt Helen and Uncle Junior's Los Angeles hotel, the King's Towers.

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Single father George Altman is doing his best to raise his sixteen-year-old daughter Tessa in the big city. When he discovers a box of condoms in her bedroom, though, he decides the time has come to move her to a more wholesome and nurturing environment: the suburbs. But behind the beautiful homes and perfect lawns lurk the Franken-moms, spray tans, nose jobs, and Red Bull-guzzling teens who have nothing in common with Tessa. It’s a whole new world, one that makes George wonder if they haven’t jumped out of the frying pan and into the fire.

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Susan Keane is a glamorous San Francisco magazine writer beginning to adjust to being single, who learns to be independent-minded, after being taken care of all her life.

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A sitcom set in the offices of "GlobeLink News" after its acquisition by media mogul Sir Roysten Merchant. Led by editor George Dent, the staff of GlobeLink battle to maintain the company as a serious news organization against Sir Roysten's right-hand man, Gus Hedges, who wants to make the show more sensationalist and suppress stories that might harm Roysten's business empire.

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A stand-up comedian and his three offbeat friends weather the pitfalls and payoffs of life in New York City in the '90s. It's a show about nothing.

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When a Cincinnati radio station switches from sedate music to top-40 rock 'n' roll, its staff of oddball characters is forced to switch gears quickly. New programming director Andy Travis brings in a new DJ named Venus Flytrap to work with the station's burned-out veteran, Dr. Johnny Fever. Neurotic newsman Les Nessman, eager beaver Bailey Quarters, sleazy salesman Herb Tarlek, blonde bombshell Jennifer Marlowe, who serves as the station's ultra-capable receptionist, and station manager Arthur Carlson, whose domineering mother owns WKRP, round out the eccentric bunch.

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Welcome to Beacon Street Pizza, the perfect workplace and hangout for aimless wise-guy Berg, neurotic Pete and campus beauty Sharon. Pete and Berg are roommates and students at a local Boston university, while Sharon struggles with her work and relationships. Together, these three best friends try to navigate life and love in Boston!

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Ed Goodson, a forthright and opinionated dad, relishes expressing his unsolicited and often wildly politically incorrect observations to anyone within earshot. Nobody is immune from Ed's rants, including his sons, Henry, a struggling writer-turned-unpaid blogger; and Vince, the meek half of his husband/wife real estate duo with domineering Kathleen. When Henry finds he can no longer afford to pay rent to his pretty roommate -- and secret admirer -- Sam, Ed reveals a soft spot and invites Henry to move in with him. Henry agrees, knowing that the verbal assault will not abate and now there will be no escape.

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30-year-old single Mary Richards moves to Minneapolis to start a new life after a romantic break-up. There she reacquaints with Phyllis who rents her a room, and meets her upstairs neighbor and new best friend Rhoda. Mary unexpectedly lands a job as associate producer at the TV station WJM, where she works alongside her bristly boss, Lou; the comical newswriter, Murray; and the newscast's often-incompetent anchor, Ted.

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The off-kilter, unscripted comic vision of Larry David, who plays himself in a parallel universe in which he can't seem to do anything right, and, by his standards, neither can anyone else.

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