El Enemigo

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

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¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.

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Sofía Peralta-Avitia Villaseñor, a successful businesswoman and great mother, who feels lonely in her marriage to Gonzalo Balmori-Ricci Nava. At the same time, her daughter, Bárbara Balmori-Ricci Peralta-Avitia, and her young bodyguard, Salvador "Chava" Reyes Encino, will transform their rebelliousness into passion. But none of them know that the evil, ambitious people around them will try to meddle in their paths on their road to love.

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Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.

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Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.

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Paulino Córdoba, Gabino Roura, Rodolfo Huerta, and Matías Quiroga have been friends since childhood; however, as adults, their priorities shifted, and a sin now threatens to destroy their friendship. Paulino owns the El Milagro apple hacienda and is married to Rosario; they have two children, César and Lucrecia. Rosario has always favored her son while openly rejecting her daughter. Lucrecia was raised by Delfina, Rosario’s maid and Manuel’s mother.

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Nunca te olvidaré is a Mexican telenovela produced by Juan Osorio for Televisa in 1999. It is based on a novel by Caridad Bravo Adams and starring Edith González, Fernando Colunga and antagonistic interests of Alma Muriel, Eugenia Cauduro and Humberto Elizondo.

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Contra viento y marea is a Mexican telenovela aired from April 25 until November 4, 2005. This was also the last acting role of Beatriz Sheridan, who died in 2006 of a heart attack.

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Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

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Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

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Emiliano, a wealthy Mexican businessman, is ripped off by his friends and partners. Hidden in Bogotá, he receives help from Rosario, a mariachi singer. She does not know Emiliano’s background and that he is wanted by the police of two countries and by a criminal organization. With a new name and personality, he adapts well to his new life as a mariachi band member and finds in Rosario the love of his life. But he is afraid his secret will tear them apart. He needs to clear his name and resolve his case to avoid that fate. Meanwhile, he often finds his love tested and vulnerable to several rivals, but Rosario always trusts that he has been honest with her.

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La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.

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Acorralada is an American telenovela produced by Venevisión. Univision aired Acorralada from January 2007 to October 2007 on weekday afternoons at 2 pm central. It was rebroadcast in late 2011 through April 2012 on Univision's sister network, Telefutura. It was filmed in Miami, Florida, and lasted about 187 episodes. It is the second long-running telenovela that Venevisión Productions has produced without its former co-producer Fonovideo.

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Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

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María Mercedes, a poor girl who sells lottery tickets, meets a rich man who hates his own family and sees in María Mercedes an opportunity to make their lives miserable.

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After their father's death, Sofía Ripoll, the oldest of three sisters, takes over the family's fictional successful chocolate factory. Though she is engaged to a man who uses her for money, she quickly falls in love with Salvador Cruz, a former racecar driver who takes a job as her chauffeur.

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Piel de otoño is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas in Mexico from 9 May 2005 through 23 September 2005 in Mexico, and from October 10, 2005, through February 17, 2005, in the United States. Starring Laura Flores and René Strickler as the series' protagonists, the show tells the story of Lucía Villarreal de Mendoza, a woman who seeks refuge from her husband and children's abuses in the friendship of a stranger on the Internet, who signs his messages only as "wind". Piel de otoño is a remake of the 1986 Televisa telenovela Cicatrices del alma. The program aired weekdays at 5 pm for twenty weeks.

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Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

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Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

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Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

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