Frontiers

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

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Two police officers, the older Lt. Stone and the young upstart Inspector Keller, investigate murders and other serious crimes in San Francisco. Stone would become a second father to Keller as he learned the rigors and procedures of detective work.

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21 Jump Street revolves around a group of young cops who would use their youthful appearance to go undercover and solve crimes involving teenagers and young adults.

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Baretta is an American detective television series which ran on ABC from 1975 to 1978. The show was a milder version of a successful 1973–74 ABC series, Toma, starring Tony Musante as chameleon-like, real-life New Jersey police officer David Toma. While popular, Toma received intense criticism at the time for its realistic and frequent depiction of police and criminal violence. When Musante left the series after a single season, the concept was retooled as Baretta, with Robert Blake in the title role.

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Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track. The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart's opening title sequence at No. 2 on its list of TV's Top 10 Credits Sequences, as selected by readers.

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Crime drama set in the 1960s about an old-school detective trying to come to terms with a time when the lines between the police and criminals have become blurred.

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Tony Scali is a former Brooklyn cop now the Police Commissioner of a small upstate city. But for Scali, this is no desk job. He's a tough yet compassionate boss, a loving husband and father, and a hands-on law enforcer with an unorthodox style of bending the rules. From parenthood to politics, from sex crimes to murder cases, one man takes it day-to-day with offbeat humor and street- smart skill.

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Barney Miller is the kind of cop we'd all like to run into. Always sensible, he maintains order over a band of detectives who gamble, hit on anything in skirts, go to renaissance philosophy conventions for fun, and would really prefer to be writing. Nearly all of the action takes place in the squad room where citizens and criminals are brought in to complicate the mix.

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When a headmaster's wife goes missing, suspicion falls on him. Is he hiding something, or is there more to this case than meets the eye?

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Jack Frost is a gritty, dogged and unconventional detective with sympathy for the underdog and an instinct for moral justice who attracts trouble like a magnet. Despite some animosity with his superintendent, Norman “Horn-rimmed Harry” Mullett, Frost and his ever-changing roster of assistants manage to solve cases via his clever mind, good heart, and cool touch.

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A compelling family drama and a timeless story told through the eyes of complicated and compromised chief of police Del Harris of a Pennsylvania Rust Belt town full of good people making bad choices.

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Frank Hathaway, a hardboiled private investigator, and his rookie sidekick Lu Shakespeare form the unlikeliest of partnerships as they investigate the secrets of rural Warwickshire's residents.

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In the Heat of the Night is an American television series based on the motion picture and novel of the same name starring Carroll O'Connor as the white police chief William Gillespie, and Howard Rollins as the African-American police detective Virgil Tibbs. It was broadcast on NBC from 1988 until 1992, and then on CBS until 1995. Its executive producers were Fred Silverman, Juanita Bartlett and Carroll O'Connor. TGG Direct released the first season of the series to DVD on August 28, 2012.

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This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.

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Explore a gang world we've never seen before: gangs that are made up of the very men and women sworn to uphold the law – cops. Only select officers make the cut, but once inside, gang members will do what they must to protect each other from enemies inside and outside their ranks.

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Laura Holt, a licensed private detective, opens a detective agency but finds that potential clients refuse to hire a woman, however qualified. To solve the problem, Laura invents a fictitious male superior whom she names Remington Steele. Through a series of events that unfold in the first episode, "License to Steele," a former thief and con man, whose real name is never revealed, assumes the identity of Remington Steele. Behind the scenes, Laura remains firmly in charge.

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Morgan is a single mom with an exceptional mind, whose unconventional knack for solving crimes leads to an unusual and unstoppable partnership with a by-the-book seasoned detective.

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Eccentric detective Terry Seattle teams up with clueless celebrity guest stars to investigate a series of murders in this improvisational crime comedy.

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An American police procedural chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.

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Rollie Tyler, a special effects expert, helps his detective friend solve crimes by making criminals see what they want to see. But what is real and what is illusion?

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