La Taxista

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

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¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.

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In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.

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En Nombre Del Amor is a Mexican telenovela produced by Televisa. It is a remake of Cadenas de Amargura. En Nombre Del Amor was produced by Carlos Moreno, and filming began on August 4, 2008. It premiered in the United States July 7, 2009 on Univision and ended its run on March 7, 2010 in a two-hour grand finale on a Sunday. Starring for Allison Lozz and Sebastián Zurita, as adult stars Victoria Ruffo, Arturo Peniche with Leticia Calderón as the villain protagonist and main villain, co-starring for Laura Flores, Alfredo Adame, Víctor Cámara, and the participation of Altair Jarabo as youth antagonist.

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Danna Paola stars as Patito, Eleazar Gómez as Mateo, Violeta Isfel and Cynthia Klitbo, play antagonist roles as Antonella and Bianca. The telenovela features adult protagonists also, René Strickler and Vanessa Guzmán. It first aired on Sunday, 8 March 2009, as the first telenovela to debut on a Sunday in Mexico. After a year of success, becoming a major hit in Mexico, especially among children, its final episode was also on a Sunday, 7 March 2010.

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Las Vías del Amor is a Mexican telenovela that aired on the Televisa channel in Mexico and Univision in the United States from 2002-2003.

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Para Volver a Amar is a Televisa telenovela that aired on the Canal de las Estrellas channel in Mexico from July 12, 2010 to January 30, 2011. It stars Rebecca Jones, Rene Strickler, Alejandro Camacho, Alejandra Barros, and Africa Zavala. The Mexican version however is taken from the original Colombian soap opera series "El Último Matrimonio Feliz". The story is about six women who befriend each other and help each other deal with the pains of life, particularly in regards to marriage and relationships. They'll realize that even amidst their problems, happiness is not impossible to attain. It won seven Premios TVyNovelas awards for Best Telenovela of the Year, Best Male Villain, Best First Actress, Best First Actor, Best Co-Star Actress, Best Co-Star Actor, and Best Young Lead Actor. Para Volver a Amar aired in the United States on Univision from March 8, 2011 to October 28, 2011 at 12am/11pm central.

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Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

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When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.

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María Alejandra Rivas Cavalier, a young aspiring surgeon with a prestigious family name, joins the highly regarded internship program at Santa María University Hospital. There, alongside a group of new friends and her relationship with renowned surgeon Andrés Guerra, she faces medical and personal challenges that shape her journey. Amid intriguing medical cases and the quest for her own path, the hospital becomes her new home and the stage where friendship, love, and sacrifice intertwine.

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Martín (Iván Sánchez) hurries to Mina Escondida after getting an urgent letter from his brother begging to be rescued from the hell in which he's living. On arrival, Martin despairs upon finding out that Demetrio (Pablo Montero), his brother, has committed suicide. His sorrow is transformed into hatred and a thirst for vengeance against the woman who caused his brother suffering and brought him to death.

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The story follows Isabel—known as "Chispita"—who was separated from her mother after the latter lost her memory in an accident. After growing up in an orphanage, Isabel is adopted by a widowed businessman, Don Alejandro; he hopes she will bring joy to the life of his daughter, Lili, who has become sad and ill-tempered since her mother's death—largely due to the influence of her teacher, the wicked Miss Irene. However, contrary to Alejandro's expectations, Isabel is not welcomed by his daughter; instead, she must contend with the malicious traps set for her by Lili and Miss Irene. Yet, Isabel also finds friends in the household, such as Juan Carlos (Lili’s older brother) and Gloria (the family’s maid). From her new home, Chispita begins the search for her mother.

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A heartbreaking story in which power, obsession, and desire will tragically mark the love between Paulina and Adrián who will fight for their love against all odds, even if it takes their life.

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Nunca te olvidaré is a Mexican telenovela produced by Juan Osorio for Televisa in 1999. It is based on a novel by Caridad Bravo Adams and starring Edith González, Fernando Colunga and antagonistic interests of Alma Muriel, Eugenia Cauduro and Humberto Elizondo.

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Emiliano, a wealthy Mexican businessman, is ripped off by his friends and partners. Hidden in Bogotá, he receives help from Rosario, a mariachi singer. She does not know Emiliano’s background and that he is wanted by the police of two countries and by a criminal organization. With a new name and personality, he adapts well to his new life as a mariachi band member and finds in Rosario the love of his life. But he is afraid his secret will tear them apart. He needs to clear his name and resolve his case to avoid that fate. Meanwhile, he often finds his love tested and vulnerable to several rivals, but Rosario always trusts that he has been honest with her.

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Rafael Méndez and Alejandra Maldonado are salesmen from opposite sides of life. While Méndez depends on informal sales, and that without any higher education degree, Alejandra carries her duties as the Commercial Manager of a car dealership with an MBA degree and a hard attitude up her sleeve. An unfortunate car accident will bring them together, and they will have to get the best of each other in order to survive their respective realities.

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Mariana lives with her father, Atílio, and is motherless. He is a very powerful man, and he keeps a big secret: Mariana is not his biological daughter, Atílio has two sisters: Isabel, the oldest, a good and caring woman, who raised Mariana and loves her as if she were her own daughter; Márcia, the youngest, arrogant and very vain, has a cold heart, has never fallen in love with anyone and always mistreated Mariana, until a boy called Inácio Lugo Navarro arrives in the city, very attractive, who uses a false name and is looking for his roots and revenge.

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A spirited, humble woman named Tita vows to do everything she can to make her son Rey's dream of becoming a professional soccer player come true.

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Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

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La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

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