Music

The movie is a biopic about Mia Martini, an italian singer who died in 1995.

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Vincent and Antoine, tired of the tours, decide to go on holiday with all the troop of Stars 80.

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A band-leader has arranged seven chairs for the members of his band. When he sits down in the first chair, a cymbal player appears in the same chair, then rises and sits in the next chair. As the cymbal player sits down, a drummer appears in the second chair, and then likewise moves on to the third chair. In this way, an entire band is soon formed, and is then ready to perform.

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In a Rome divided between the city center and the suburbs, rich and poor, famous and not, Alex, Gaia, and Marco are three friends in their early twenties who dream of escaping the future society has written for them. Street life, working at the market, poverty, small-time drug dealing, suburban tenements, and the dream of hip-hop are Alex's life until his dream comes true and he finds himself catapulted into the world of rap, playing his part and proving his worth. Managing his own destiny, however, isn't easy, and Alex makes many mistakes, leaving him alone, without a point of reference, and with fleeting success. He must then confront his demons, the harshness of the world, and his own confusion, to learn to love his anger and understand what he truly desires.

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William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.

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The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.

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The two remaining puppets learn about eating healthy, but things go awry when they receive a mysterious phone call.

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Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.

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A biopic on the personal and artistic life of Italian songwriter Fabrizio De André.

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Biopic of Brazilian singer Tim Maia, from his childhood in Rio de Janeiro until his death at age 55, including his passage by the US, where he discovers a new style of music and is arrested for theft and drug possession.

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When a producer refuses to cut Massimo and his band a record unless they hire an "ethnic" singer to spice up the act, he tries to seduce Jing, a Chinese girl with a beautiful voice disinterested in both him and rock, to get her on board. She pretends to cave in in order to escape an arranged marriage, but in the weeks preceding the concert the two begin to grow closer, complicating the secretly fake nature of their relationship.

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Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.

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Intimate interviews, sold out concerts and archive footage that narrates the path to success of the Colombian singer and songwriter Maluma.

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